In Miss Gazillions by Richard Weber (St. Martin's Press, 2005), the author offers the following description of a minor character:
"...a slight, elderly Alpine pirate in Saville Row worsted."
"His voice--as he welcomed us into his office salon, with its grand view over the Musee des Beaux Arts--was, at first, teacup-timid with deference and age, but his mahogany eyes had the 20/20 iciness of a Gestapo interrogator."
"Teacup-timid" is one of the most evocative descriptions I've read in awhile, and coupled with the rest of the description, it left a vivid image in my mind's eye.
A vivid character snapshot can keep minor characters from blurring together, and make a story more memorable. I'm filing this one in my Inspiration file!
It is a mistake to think that books have come to stay. The human race did without them for thousands of years and may decide to do without them again. E. M. Forster
Tuesday, December 16, 2008
Wednesday, December 03, 2008
Re-Vamp Time
It's time this long-neglected blog was used for something. Something that isn't business-related.
So, let's talk about books-- reading them, writing them, fondling them. There's just not enough time in the world for all of that, so maybe this is a place to start.
I'm reading Stephen King's On Writing this week. It's laugh-out-loud funny in spots, a little too profane for my taste (but too good to miss, even so), and practical, so far.
I am unpacking King's writer's toolbox now, and it's interesting to see what's in it. My personal writing rule is 'BIC' (backside in chair); the autobiographical section in On Writing provides a snapshot of exactly what this looks like in real life.
I'm also in the middle of several other books-- no point in reading one at a time, is there?
So, let's talk about books-- reading them, writing them, fondling them. There's just not enough time in the world for all of that, so maybe this is a place to start.
I'm reading Stephen King's On Writing this week. It's laugh-out-loud funny in spots, a little too profane for my taste (but too good to miss, even so), and practical, so far.
I am unpacking King's writer's toolbox now, and it's interesting to see what's in it. My personal writing rule is 'BIC' (backside in chair); the autobiographical section in On Writing provides a snapshot of exactly what this looks like in real life.
I'm also in the middle of several other books-- no point in reading one at a time, is there?
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